Have a Good Rest! (2025) extends this meditation into the social realm. Constructed as a textile “pillow book,” the work invites viewers to lie down, reclaiming rest as an act of protest. One side is embroidered with figures of people sleeping or reclining in public spaces—moments of unplanned, minimal leisure I observed during my travels. The other side, stitched with the word REST repeatedly on reflective fabric, flashes under light, transforming a passive state into a visual and political assertion. Referencing Sei Shōnagon’s Pillow Book and Vietnamese socialist propaganda such as “Yêu lao động” (“Love to Work”), I question whether contemporary societies still allow the body to rest without guilt or justification.