From the bustling fashion scenes of London and Hanoi to the serene path of a solitude journey spanning Iran to Timor-Leste, since 2016, I have been embracing the ethos of "Busy Living Slow." In a world of fast-paced art industry, I realised the resonance between my Busy Living Slow lifestyle and Karl Marx's ideologies of work and the timeless wisdom that lies in Sei Shonagon’s The Pillow Book. "Have a Good Rest" is my ode to this unrushed pace, reminding us of the power of rest as both rejuvenation and resistance.
Rest as you protest!
We meet along the way, Koganecho Bazaar+Kamiooka Bazzar, Yokohama, Japan
Womb of Fire - 100 Vietnamese female artists,
Hanoi and Ho Chi Minh City, Vietnam
Who is Weaving the Sky Net?, Yeo Workshop Contemporary Art Gallery, Singapore
PRICK! Needlework Now, Royal Melbourne Institute of Technology Gallery, Melbourne
Private collection, Seattle, US
Means of Production, New York, U.S.
2024
Young Birds from Strange Mountains Exhibition,
Schwules Museum, Berlin, Germany
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2019 - On going series
"We must approach them with compassion and our devotion to work with plants must begin with gratitude and praying to the spirits of the trees".
Tradition of the Dyers, Maeda Ujo
Trees are living beings created by nature, just as we are. They start their lives in the forest, grow old and die, they communicate through roots, veins and properly something we have not discovered yet. Trees could live for centuries, witness history, hold natural knowledge, and together create forests that become breathing archives of biodiversity, human indigenous cultures as well as solutions for our modern souls. There must be a universe beyond our understanding of this perpetual complex tree community.
People's perceptions of the nature are based on both their knowledge of the environment as well as their relationship with the supernatural. Hence, the nature serves both a practical, as well as a spiritual function.
The trees are at once the source of human subsistence and creation. To this extent, there is no distinction between the sacred and the material. We log trees, felling and skidding them, or girdle them... but do we heal them? Why is it acceptable for a man cut down a tree and replace it with a new one?
As I pray for my ancestors in front of my home altar twice a month, thankful for the lives they give me and my family, I would like to do the same for other beings that give us all necessities to stay alive.
The altar once was defined as a sacred obiect that we believe functions as a conveyance to connect human with the spiritual realm. I believe making an altar carefully by hand, stitch by stitch, thread by thread is a way to pass on my devotion of time and sincerity to it. My altar becomes an offering itself, hoping nature will take it and forgive our sin, and I become a worshipper with an offer that though might fall into oblivion, my soul can rest peacefully into nature.
HOLOBIONT
2020
Citizen Earth Exhibition, Hanoi Museum of Biology
"Holobionts," a long-term project that initiated in 2020, suggests an immersive exploration into the intricate symphony between a host and the myriad species dwelling within and around it. This amalgamation, a holobiont, constitutes a discreet ecological entity, exemplified by the remarkable ecosystems of coral reefs, soil matrices, and human beings.
